December 10th, 2006
Tintin and me: Chris Ware
"Tintin was fundamentally too sexless to really catch on in America. There are hardly any girls in Hergé's stories, and there's also a peculiar sense of responsibility and respect in Tintin that is antithetical to the American character, or at least that of the budding individualist nine-year-old boy who just wants to set things on fire and has been weaned on much more outrageous stories. I'm not even sure if it's fair to say that there is an analog in American culture to Tintin, actually."
"I read a few serialised episodes in a magazine my mom subscribed to for me when I was a kid and it made me feel really, really weird; I didn't like it at all. I could tell that it was "approved" and "safe" and it immediately bored me, because it didn't seem to have anything to do with what I thought of as the "real" adult world, which was for me at that time superpowers and crimefighting. (I like Tintin now, of course.)"
"Incidentally I stole the idea of using very carefully composed naturalistic colour under a platonic black line more or less directly from Hergé, as there's a certain lushness and jewel-like quality to his pages that also hints at the way we gift-wrap our experiences as memories."
- More info
- Submit more info